Ode
to the Hole-Punch
Elyse Brownell
My
hole-punch,
sitting
on the mahogany surface
awkward
in stature.
Your
origins date back to Germany,
1886,
designed to “punch holes in paper”
your
founder, Frederich Soennecken,
treated
you with such care, precision,
after
the invention of a paper, Nietzsche
himself
wrote to other poets,
declaring
the paper’s top quality
to
write on
and
now, a hole-punch,
created
to punch holes
in
such paper, to allow
the
acco of breath, to suspend
data
in portfolios —
organization
is your primary purpose,
utility,
but a design patent is where
you
began.
Centuries
later, mass-produced
and
landing on my desk,
an
office tool I rely heavily on:
black
ceramic skin, a lever used
to
push a bladed cylinder straight
through
sheets of paper
through
Soennecken’s original thought
creating
space for more ideas,
more
metal prongs, protruding through bodies,
combining the elements.
Palm
flat on your lever,
paper
placed between the long silver guides
running
through your core
and
I press down,
a
slow creak from your springs
and
you recoil
producing
two, perfect circles
placed
apart evenly, accurately,
ready for placement
and
I wonder:
how
many hands have touched you?
paraded
you?
relied
on you?
complained
about you?
forced
weight upon you?
only to leave remains of paper
in
your belly—
a silver sliding door beneath you.
Do
you miss each one of them
a mother
to their child—
After
all, it is you
who
created such perfect
round,
holes.
In response to "My Skeleton" by Jane Hirshfield
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